I started around a bar in NW--
And moved on to PNCA....
Some of these images I doctored or Instagrammed, some not so much. Once I found these though, I started seeing graffiti everywhere, and the next day after class I went to that shell of a building across the river and took these:
| "Don't break me, I'm beautiful." |
| "Beards are Hot." |
| I love the graffiti trees rising from the plants taking over this building. |
I've been noticing graffiti and stickers and other, well, creative vandalism around where I am now, and though I know I probably wouldn't like my property tagged, I do find graffiti to often be aesthetically pleasing, often interesting, and not over-intrusive, when taken as a whole. Of course some places are completely covered in graffiti. I don't know how to carefully impart my meaning here, having no expertise in the politics of graffiti and its removal, but I think the world is a little more interesting with it. As someone who's interested in text and its use, message, and medium, I almost have to find it fascinating: What is the use? Who works with graffiti? Whose voices are being represented, and do they feel heard? As Nance Van Winckel says in her essay "Astral Project Town: Butte, Montana", in Poetry Northwest: "Like good poems, graffiti often reverberate the big emotions: love and grief, joy and anger. But primarily, the messages affirm sheer being, unequivocal presence, a presence that's not only an act of language, but a physical thing: paint flecks and spray paint 'put up' in a mad frenzied rush." These rushes of physical language appear on many surfaces: claiming any blank surface, sometimes covering other graffiti in layers. As an observer, I can't help but wonder who is behind the markings.
The next night, while walking with my guys to get dinner, I saw these:
All within a few blocks. In class the day before, I had noted several sitings of graffiti by Humen. While going to dinner, I see three tags by Humen in a row, and so I'm left with one main question: Who is Humen? Why is he everywhere?
I'll continue to look.





No comments:
Post a Comment